
About ABRSM
The Associated Board of the Royal Schools of Music is the world’s leading provider of music exams and assessments. Each year over 630,000 candidates take ABRSM exams in more than 90 countries around the world. Established in 1889, the Board now draws on a unique resource: its 120 years of experience and expertise. Since its establishment, ABRSM has provided music educators, pupils and parents with exams and assessments that promote consistent standards and carry recognized international authority, encouraging and motivating performers through the provision of goals and the measurement of progress. A total commitment to music education lies at the heart of ABRSM work. The Associated Board has the authority of four of the leading conservatoires in the UK: Royal Academy of Music (London), Royal College of Music (London), Royal Northern College of Music (Manchester), Royal Scottish Academy of Music and Drama (Glasgow).
The Associated Board’s graded exams and assessments are open to all age groups and to all levels of ability. They are accredited in England by the Qualifications and Curriculum Authority and the corresponding regulatory authorities in Wales and Northern Ireland. They are part of the National Qualifications Framework, and are also recognized formally in a number of other countries. ABRSM authoritative and internationally recognized syllabuses, requirements, exams, and evaluation criteria are standardized, and therefore uniform for all countries.
ABRSM choose Isidor Bajić Music School, as the most eminent institution for music education in the region, to be the Local Representative of the Board for South-East Europe. In such a way, students of Isidor Bajić Music School have been provided with opportunities to take ABRSM exams and assessments in a space they know well – their own school.
ABRSM practical syllabuses are available in over 35 subjects. Carefully crafted syllabuses, each of which combines an appealing repertoire list alongside a package of elements focusing on developing all-round musicianship, are relevant to a wide range of teachers and accessible through different teaching approaches.
ABRSM offers two types of evaluations – exams and assessments. The primary difference between the two is:
- Exams – marks are awarded at the end; for Practical Graded Exams, candidates receive Pass, Merit or Distinction, depending on the number of marks given by the examiner; gradings rather than marks are awarded for Ensemble/Choral Singing exams.
- Assessment – no marks are awarded and there is no pass or fail; instead, constructive comments are written by the examiner onto the certificate that each candidate receives at the end of the assessment (Prep Test or Performance Assessment).
Exams
All candidates taking graded exams receive a mark form recording the marks awarded for each individual component as well as the total marks obtained. Practical exam mark forms also record the examiner’s comments on each section. Certificates are issued to all successful candidates as a record of their achievement.
ABRSM graded exams are available for: Piano, Organ, Guitar, Harp, Harpsichord, Percussion, Violin, Viola, Cello, Double Bass, Recorder, Flute, Oboe, Clarinet, Bassoon, Saxophone (Alto/Baritone i Soprano/Tenor), Trumpet, Flugelhorn, Cornet (B flat i E flat), Trombone, Bariton, Euphonium, Bass Trombone, Horn, E flat Horn, Tuba (E flat, F, B flat and C), Singing, Ensembles – Chamber Music (2 or more performers), Jazz (preparing candidates for taking exams in Serbia; the exams take place in London), Theory of Music, Practical Musicianship
Exams available are:
- Graded exams – at eight different levels, each level representing a logical step in the musical development process, and roughly corresponding to elementary and secondary education levels in Serbia.
- Diplomas – available for three subject-lines : Music Direction, Music Performance and Instrumental/Vocal Teaching; each subject-line has three different levels of award that roughly correspond to higher education levels in Serbia
Evaluations
Evaluations differ from exams in that marks are not awarded. Instead, constructive comments are written by the examiner onto the certificate that each candidate receives at the end of the assessment. There are two types of evaluations offered by the Board:
Prep Test is designed for pupils who have been learning an instrument for about six to nine months.
Prep test is available for: Piano, Guitar, Violin, Viola, Cello, Double Bass, Recorder (Descant), Flute, Oboe, Clarinet, Bassoon, Saxophone, Trumpet, Flugelhorn, Cornet, Trombone, Baritone, Euphonium, Horn, E flat Horn, Singing
Performance Assessment is open to musicians aged 21 or over and to musicians of any age whose specific needs mean they are unable to access graded music exams.
All practical exams take place in front of one or more highly qualified examiners from the Associated Board’s examining panel. All examiners undergo continuing professional development, moderation and monitoring. In such a way, individual experience is combined with comprehensive and rigorous training, both prior to acceptance on to the panel and throughout an examiner’s carrier with the Board. The result is a team of impartial, objective and consistent examiners. Independent research conducted by senior academics shows that Associated Board examining procedures are “highly consistent and reliable”.
Each candidate receives “Libretto” magazine and a set of promotional materials (Syllabus for a chosen subject, Examination Information and Regulations booklet, etc.). Candidates can obtain both music and other supporting materials for the Board’s Practical exams from ABRSM Publishing, one of the UK’s leading music publishers. These materials include albums of selected exam pieces, textbooks on theory, harmony and musical form, scale books and specimen books for the sight-reading and aural tests, theory papers from previous years, various anthologies, including scholarly editions of Baroque, Classical, and Romantic masters, as well as works by contemporary composers (f.e.“Spectrum” – serial of contemporary music), jazz materials, etc.
The Associated Board awards scholarships and prizes (f.e. the “Hedy King Robinson” Award and many International Scholarships for study at the four Royal Schools of Music, which include tuition fees, a grant of £4,500 sterling per year towards living expenses, and the return fare home). The possibility of earning ABRSM certificates and diplomas is an important opportunity for young musicians from our country. Such opportunities enable them to receive recognition of their capabilities beyond the country’s borders.
Instructors
CERTIFIED ABRSM INSTRUCTORS LEVEL ONE FOR SOUTHEAST EUROPE:
- Snežana Živanac, Novi Sad
- Ružica Ilić Mansouri,Novi Sad
- Ljiljana Svinjarević,Novi Sad
- Ana Kovačić, Novi Sad
- Еvica Čarnopiski,Novi Sad
- Sanja Pap Mićić,Novi Sad
- Јasmina Mitrušić, Novi Sad
- Gordana Gavrilov, Novi Sad
- Verica Ćurguz, Beograd
- Ana Rančić, Beograd
- Vesna Radić, Beograd
- Zorica Jelić, Novi Sad
- Nineta Avramović Lončar, Novi Sad
- Мilanka Deže, Novi Sad
- Nada Popović, Novi Sad
- Vesna Jovanović, Novi Sad
- Senka Vojnić-Hajduk, Novi Sad
- Danica Zubović, Novi Sad
- Jarmila Jurica Stupavska, Novi Sad
- Marija Josimović, Novi Sad
Biljana Dabić, Novi Sad
Аleksandra Tešić, Novi Sad
Оlga Borzenko, Novi Sad
Dina Šuklar Wiesike, Novi Sad
Мirela Komnenović, Novi Sad
Vera Hofman Momčilović, Novi Sad
Аna Frlin, Novi Sad
Мilena Apić, Novi Sad
Gordana Vasin, Novi Sad
Тatjana Bradić Pajtić, Novi Sad
Еdit Miavec, Novi Sad
Мilica Vukobrat, Novi Sad
Ružica Sloboda, Novi Sad
Jovana Spasojević, Novi Sad
Tatjana Guberina, Novi Sad
Vesna Radić, Beograd
Tatjana Uzelac, Novi Sad
Slobodanka Stević, Novi Sad
Tanja Bjelanović Medvecki, Novi Sad
Tatjana Vukmanović, Novi Sad
Anđelka Simikić, Novi Sad
Aleksandar Uzelac, Novi Sad/Montreal Kanada
Aleksandar Gligić, Novi Sad/Malta
Valerija Novakov, Novi Sad
Dragana Popov, Novi Sad
Jelena Bajić, Novi Sad
Sara Ćaćić, Novi Sad
Selena Trifunović Ćapin, Beograd
Bojana Pantelić Petrović, Beograd
Marija Krecul, Subotica
Ana Rančić, Beograd
Milica Davninić, Malta
Danica Laudanović, Abu Dhabi (Ujedinjeni Arapski Emirati)
Ana Barbaroša, Beograd
Jelena Kilibarda, Beograd
Maja Stojanović Krstić, Skoplje (Makedonija)
Severina Preradović, Beograd
Marija Petrović, Loznica
Jelena Vukmirović, Cetinje (Crna Gora)
Frederik Stanković, Novi Sad
Lidija Savić, Novi Sad
Nenad Stojačić, Novi Sad
Srđan Dalagija, Novi Sad
Isidora Jovanović, Beograd
Dragana Popov Marić, Novi Sad
Ljiljana Antonijević, Beograd
Natalija Polovina, Novi Sad
Smilja Josifoska, Beograd
Јelena Simonović Kovačević, Novi Sad
Ivana Jasić, Beograd
Čila Stojšić, Novi Sad
Aleksandra Grbić-Hrustić, Novi Sad
Аleksandar Rašković, Novi Sad
Tijana Bokan, Novi Sad
Saša Svijić, Novi Sad
Marija Đokić, Novi Sad
Ivana Branovački, Novi Sad
Spomenka Rakić Isakov, Novi Sad
Nina Aranđelović, Novi Sad
Valerija Cekić, Novi Sad
Julija Bal, Novi Sad
Biljana Bogosavljević, Novi Sad
Ana Novković, Novi Sad
Jelena Veličković, Novi Sad
Dušanka Jelesić Peterke, Novi Sad
Ivana Popović, Novi Sad
Jelena Lazić, Sremska Mitrovica
Katarina Filipović, Beograd
Jovana Lončarić Krajinović, Beograd
Ružica Ćirić, Beograd
Iva Čurić, Sarajevo, BIH
Tijana Sekulić, Novi Sad
Timea Hotić, Banja Luka
Larisa Begić, Sarajevo (BIH)
Jelena Minić, Beograd
Jasna Tanasijević, Sremska Mitrovica
Jelena Nikolić Varga, Senta
Dušica Stojković, Novi Sad
Ivana Todorović, Beograd
Vitalij Gulijčuk, Novi Sad
Monika Zima, Novi Sad
Ibojka Turai, Novi Sad
Goran Kerleta, Novi Sad
Nina Nikolov, Novi Sad
Мarijana Krmpotić, Novi Sad
Аrabela Zorjan Fracile, Novi Sad
Мirjana Hajduković, Novi Sad
Igor Josifoski, Novi Sad
Tamara Petijević, Novi Sad
Judit Niderholcer Josifoska, Novi Sad
Јelena Jeremić, Novi Sad
Bojan Vukelić, Beograd
Đuro Pete, Novi Sad
Јаsna Marković Vujanović, Novi Sad
Aleksandra Horvat, Novi Sad
Lazar Kondić, Subotica
Ljiljana Segedi, Novi Sad
Кsenija Mijatović Korom, Novi Sad
Željko Bodor, Novi Sad
Аleksandar Đurić, Novi Sad
Vesna Mitar, Novi Sad
Željka Sponza, Novi Sad
Аleksandar Spasojević, Novi Sad
Raško Radović, Novi Sad
Predrag Đurić, Novi Sad
Živojin Kuzmanović, Novi Sad
Staša Mirković-Grujić, Beograd
Srđan Petrović, Beograd
Miloš Milosavljević, Dubai (United Arab Emirates)
Мilica Stojadinović, Novi Sad
Vesna Aćimović, Novi Sad
Senka Nedeljković, Novi Sad
Ivana Jovanović, Novi Sad
Marta Balaž, Novi Sad
Milana Vuksan, Novi Sad
Nada Vještica, Novi Sad
Aleksandar Malenica, Novi Sad
Robert Papik, Novi Sad
Igor Molnar, Novi Sad
Contact: Jelena Alargić, Resource Coordinator
tel: (021) 2156-292; 529-078; 529-866
e-mail: abrsm.southeasteurope@gmail.com
