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About ABRSM

The Associated Board of the Royal Schools of Music is the world’s leading provider of music exams and assessments.  Each year over 630,000 candidates take ABRSM exams in more than 90 countries around the world. Established in 1889, the Board now draws on a unique resource: its 120 years of experience and expertise.  Since its establishment, ABRSM has provided music educators, pupils and parents with  exams and assessments that promote consistent standards and carry recognized international authority,  encouraging and motivating performers through the provision of goals and the measurement of progress.  A total commitment to music education lies at the heart of ABRSM work.  The Associated Board has the authority of four of the leading conservatoires in the UK: Royal Academy of Music (London), Royal College of Music (London), Royal Northern College of Music (Manchester), Royal Scottish Academy of Music and Drama (Glasgow).

The Associated Board’s graded exams and assessments are open to all age groups and to all levels of ability.  They are accredited in England by the Qualifications and Curriculum Authority and the corresponding regulatory authorities in Wales and Northern Ireland.  They are part of the National Qualifications Framework, and are also recognized formally in a number of other countries. ABRSM  authoritative and internationally recognized syllabuses, requirements, exams, and evaluation criteria are standardized, and therefore uniform for all countries.

ABRSM choose Isidor Bajić Music School, as the most eminent institution for music education in the region,  to be the Local Representative of the Board for South-East Europe.  In such a way, students of Isidor Bajić Music School have been provided with opportunities to take ABRSM exams and assessments in a space they know well – their own school.

ABRSM practical syllabuses are available in over 35 subjects.  Carefully crafted syllabuses, each of which combines an appealing repertoire list alongside a package of elements focusing on developing all-round musicianship, are relevant to a wide range of teachers and accessible through different teaching approaches.

ABRSM offers two types of evaluations – exams and assessments.  The primary difference between the two is:

  • Exams – marks are awarded at the end; for Practical Graded Exams, candidates receive Pass, Merit or Distinction, depending on the number of marks given by the examiner; gradings rather than marks are awarded for Ensemble/Choral Singing exams.
  • Assessment – no marks are awarded and there is no pass or fail; instead, constructive comments are written by the examiner onto the certificate that each candidate receives at the end of the assessment (Prep Test or Performance Assessment).

    Exams

    All candidates taking graded exams receive a mark form recording the marks awarded for each individual component as well as the total marks obtained.  Practical exam mark forms also record the examiner’s comments on each section.  Certificates are issued to all successful candidates as a record of their achievement.

    ABRSM graded exams are available for: Piano, Organ, Guitar, Harp, Harpsichord, Percussion, Violin, Viola, Cello, Double Bass, Recorder, Flute, Oboe, Clarinet, Bassoon, Saxophone (Alto/Baritone i Soprano/Tenor), Trumpet, Flugelhorn, Cornet (B flat i E flat), Trombone, Bariton, Euphonium, Bass Trombone, Horn, E flat Horn, Tuba (E flat, F, B flat and C), Singing, Ensembles – Chamber Music (2 or more performers), Jazz (preparing candidates for taking exams in Serbia; the exams take place in London), Theory of Music, Practical Musicianship

    Exams available are:

    • Graded exams – at eight different levels, each level representing a logical step in the musical development process, and roughly corresponding to elementary and secondary education levels in Serbia.
    • Diplomas – available for three subject-lines : Music Direction, Music Performance and Instrumental/Vocal Teaching; each subject-line has three different levels of award that roughly correspond to higher education levels in Serbia

    Evaluations

    Evaluations differ from exams in that marks are not awarded.  Instead, constructive comments are written by the examiner onto the certificate that each candidate receives at the end of the assessment.  There are two types of evaluations offered by the Board:

    Prep Test is designed for pupils who have been learning an instrument for about six to nine months. 

    Prep test is available for: Piano, Guitar, Violin, Viola, Cello, Double Bass, Recorder (Descant), Flute, Oboe, Clarinet, Bassoon, Saxophone, Trumpet, Flugelhorn, Cornet, Trombone, Baritone, Euphonium, Horn, E flat Horn, Singing

    Performance Assessment is open to musicians aged 21 or over and to musicians of any age whose specific needs mean they are unable to access graded music exams.

    All practical exams take place in front of one or more highly qualified examiners from the Associated Board’s examining panel.  All examiners undergo continuing  professional development, moderation and monitoring. In such a way, individual experience  is combined with comprehensive and rigorous training, both prior to acceptance on to the panel and throughout an examiner’s carrier with the Board. The result is a team of impartial, objective and consistent examiners. Independent research conducted by senior academics shows that Associated Board examining procedures are “highly consistent and reliable”.

    Each candidate receives “Libretto” magazine and a set of promotional materials (Syllabus for  a chosen subject, Examination Information and Regulations booklet, etc.). Candidates can obtain both music and other supporting  materials for the Board’s Practical exams from ABRSM Publishing, one of the UK’s leading music publishers.  These materials include albums of selected exam pieces, textbooks on theory, harmony and musical form, scale books and specimen books for the sight-reading and aural tests, theory papers from previous years, various anthologies, including scholarly editions of Baroque, Classical, and Romantic masters, as well as works by contemporary composers (f.e.“Spectrum” – serial of contemporary music), jazz materials, etc.

    The Associated Board awards scholarships and prizes (f.e. the “Hedy King Robinson” Award and many International Scholarships for study at the four Royal Schools of Music, which include tuition fees, a grant of £4,500 sterling per year towards living expenses, and the return fare home). The possibility of earning ABRSM certificates and diplomas is an important opportunity for young musicians from our country. Such opportunities enable them to receive recognition of their capabilities beyond the country’s borders.

    Instructors

    CERTIFIED ABRSM INSTRUCTORS LEVEL ONE FOR SOUTHEAST EUROPE:

    MUSIC THEORY DEPARTMENT
    • Snežana Živanac, Novi Sad
    • Ružica Ilić Mansouri,Novi Sad
    • Ljiljana Svinjarević,Novi Sad
    • Ana Kovačić, Novi Sad
    • Еvica Čarnopiski,Novi Sad
    • Sanja Pap Mićić,Novi Sad
    • Јasmina Mitrušić, Novi Sad
    • Gordana Gavrilov, Novi Sad
    • Verica Ćurguz, Beograd
    • Ana Rančić, Beograd
    • Vesna Radić, Beograd
    • Zorica Jelić, Novi Sad
    • Nineta Avramović Lončar, Novi Sad
    • Мilanka Deže, Novi Sad
    • Nada Popović, Novi Sad
    • Vesna Jovanović, Novi Sad
    • Senka Vojnić-Hajduk, Novi Sad
    • Danica Zubović, Novi Sad
    • Jarmila Jurica Stupavska, Novi Sad
    • Marija Josimović, Novi Sad
      PIANO DEPARTMENT

      Biljana Dabić, Novi Sad
      Аleksandra Tešić, Novi Sad
      Оlga Borzenko, Novi Sad
      Dina Šuklar Wiesike, Novi Sad
      Мirela Komnenović, Novi Sad
      Vera Hofman Momčilović, Novi Sad
      Аna Frlin, Novi Sad
      Мilena Apić, Novi Sad
      Gordana Vasin, Novi Sad
      Тatjana Bradić Pajtić, Novi Sad
      Еdit Miavec, Novi Sad
      Мilica Vukobrat, Novi Sad
      Ružica Sloboda, Novi Sad
      Jovana Spasojević, Novi Sad
      Tatjana Guberina, Novi Sad
      Vesna Radić, Beograd
      Tatjana Uzelac, Novi Sad
      Slobodanka Stević, Novi Sad
      Tanja Bjelanović Medvecki, Novi Sad
      Tatjana Vukmanović, Novi Sad
      Anđelka Simikić, Novi Sad
      Aleksandar Uzelac, Novi Sad/Montreal Kanada
      Aleksandar Gligić, Novi Sad/Malta
      Valerija Novakov, Novi Sad
      Dragana Popov, Novi Sad
      Jelena Bajić, Novi Sad
      Sara Ćaćić, Novi Sad
      Selena Trifunović Ćapin, Beograd
      Bojana Pantelić Petrović, Beograd
      Marija Krecul, Subotica
      Ana Rančić, Beograd
      Milica Davninić, Malta
      Danica Laudanović, Abu Dhabi (Ujedinjeni Arapski Emirati)
      Ana Barbaroša, Beograd
      Jelena Kilibarda, Beograd
      Maja Stojanović Krstić, Skoplje (Makedonija)
      Severina Preradović, Beograd
      Marija Petrović, Loznica
      Jelena Vukmirović, Cetinje (Crna Gora)
      Frederik Stanković, Novi Sad
      Lidija Savić, Novi Sad
      Nenad Stojačić, Novi Sad
      Srđan Dalagija, Novi Sad
      Isidora Jovanović, Beograd
      Dragana Popov Marić, Novi Sad
      Ljiljana Antonijević, Beograd
      Natalija Polovina, Novi Sad
      Smilja Josifoska, Beograd
      Јelena Simonović Kovačević, Novi Sad
      Ivana Jasić, Beograd
      Čila Stojšić, Novi Sad
      Aleksandra Grbić-Hrustić, Novi Sad
      Аleksandar Rašković, Novi Sad
      Tijana Bokan, Novi Sad
      Saša Svijić, Novi Sad
      Marija Đokić, Novi Sad
      Ivana Branovački, Novi Sad
      Spomenka Rakić Isakov, Novi Sad
      Nina Aranđelović, Novi Sad
      Valerija Cekić, Novi Sad
      Julija Bal, Novi Sad
      Biljana Bogosavljević, Novi Sad
      Ana Novković, Novi Sad
      Jelena Veličković, Novi Sad
      Dušanka Jelesić Peterke, Novi Sad
      Ivana Popović, Novi Sad
      Jelena Lazić, Sremska Mitrovica
      Katarina Filipović, Beograd
      Jovana Lončarić Krajinović, Beograd
      Ružica Ćirić, Beograd
      Iva Čurić, Sarajevo, BIH
      Tijana Sekulić, Novi Sad
      Timea Hotić, Banja Luka
      Larisa Begić, Sarajevo (BIH)
      Jelena Minić, Beograd
      Jasna Tanasijević, Sremska Mitrovica
      Jelena Nikolić Varga, Senta
      Dušica Stojković, Novi Sad
      Ivana Todorović, Beograd

      STRING DEPARTMENT

      Vitalij Gulijčuk, Novi Sad
      Monika Zima, Novi Sad
      Ibojka Turai, Novi Sad
      Goran Kerleta, Novi Sad
      Nina Nikolov, Novi Sad
      Мarijana Krmpotić, Novi Sad
      Аrabela Zorjan Fracile, Novi Sad
      Мirjana Hajduković, Novi Sad
      Igor Josifoski, Novi Sad
      Tamara Petijević, Novi Sad
      Judit Niderholcer Josifoska, Novi Sad

      WIND DEPARTMENT

      Јelena Jeremić, Novi Sad
      Bojan Vukelić, Beograd
      Đuro Pete, Novi Sad
      Јаsna Marković Vujanović, Novi Sad
      Aleksandra Horvat, Novi Sad
      Lazar Kondić, Subotica
      Ljiljana Segedi, Novi Sad
      Кsenija Mijatović Korom, Novi Sad
      Željko Bodor, Novi Sad
      Аleksandar Đurić, Novi Sad
      Vesna Mitar, Novi Sad

      POLYINSTRUMENTAL DEPARTMENT

      Željka Sponza, Novi Sad
      Аleksandar Spasojević, Novi Sad
      Raško Radović, Novi Sad
      Predrag Đurić, Novi Sad
      Živojin Kuzmanović, Novi Sad
      Staša Mirković-Grujić, Beograd
      Srđan Petrović, Beograd
      Miloš Milosavljević, Dubai (United Arab Emirates)

      VOCAL DEPARTMENT

      Мilica Stojadinović, Novi Sad
      Vesna Aćimović, Novi Sad
      Senka Nedeljković, Novi Sad
      Ivana Jovanović, Novi Sad
      Marta Balaž, Novi Sad
      Milana Vuksan, Novi Sad

      ACCORDION DEPARTMENT

      Nada Vještica, Novi Sad
      Aleksandar Malenica, Novi Sad
      Robert Papik, Novi Sad

      JAZZ DEPARTMENT

      Igor Molnar, Novi Sad

      Contact:  Jelena Alargić, Resource Coordinator

      tel: (021) 2156-292; 529-078; 529-866

      e-mail: abrsm.southeasteurope@gmail.com